Tina Fey and Amy Poehler have been at the centre of two excellent TV shows (30 Rock and Parks and Rec), and it’s exciting to see them team up in Sisters.
Sisters isn’t an amazing movie – it doesn’t have a deep theme, and it won’t leave a deep mark. But it is a funny comedy, and worth it if you want something to wind down with.
The two star as sisters, one unable to relax and connect with a potential boyfriend (Poehler), the other unstable and unable to care for her daughter (Fey). Both are distraught at the idea of their parents selling the family home, with the sister tree that serves as a symbol of their relationship as children, even as they’ve drifted apart as adults.
Refusing to deal with the decision, they instead hold a party. [SPOILERS FROM HERE]. But to party successfully, they’ll have to confront their worst fears – Fey will have to be ‘party mum’, while Poehler (no, I can’t remember their characters’ names, and no, it doesn’t matter) will need to connect emotionally with her crush.
Throughout the night they fail miserably but hilariously. And as their failures grow, their childhood home is slowly trashed, the building graffiti’ed and then falling apart, until a literal sinkhole swallows up their childhood pool. That’s when their parents show up, and express how disappointed they are.
But, somehow, they reconnect, and in doing so learn a little about relaxing (Poehler), and being responsible (Fey). Watch it for the laughs, not the story; but it wouldn’t work without the framework of a story.
The Good Place
I saw a few recommendations for The Good Place, and I was keen to try it. But it’s hard to even hear about it, without hearing spoilers. Well done if you’ve made it this far.
It’s a good comedy. This isn’t Parks and Recreation or The Office. But it has its moments, and it’s a fun take on an intriguing new storyline. No doubt there are (or will be) think pieces on how The Good Place approaches the ideas of heaven and hell, and what that tells us about ourselves and society. But if you’re after a mildly funny comedy, this may be the place to try.
Roy Chapman Andrews was an explorer and palaeontologist in the early twentieth century. Famous for among other things, publishing the first English language account of the Mongolian death worm in his book On the Trail of Ancient Man. He’s reported not to be the inspiration for Indiana Jones, but there’s a strong family resemblance.
Given that lineage, there’s a certain familiarity in Daniel Craig as an academic with expertise in Russian history, drawn into a mysterious plot in Archangel. As he stumbles through post-Soviet Russia, he uncovers a dangerous scheme that could change world history.
We see the now familiar scenes at the opening. Craig is Fluke Kelso, a womanising academic willing to enjoy the free booze at conferences, looking for the next big thing. From there, Kelso stumbles into intrigue between a Russian opposition party, the secret police, a mysterious notebook dated from Stalin’s death … and it goes on.
It’s fun to see one of those shows where academic ability was relevant to unravelling the plot. That curiosity, pulling at the threads of obscure facts until they give way, revealing a grand scheme, is fun to watch. The show also seems to do justice to post-Soviet Russia. I’ve never been to Russia, but from my experience in other contexts, it seemed to do well capturing the full scope of a cold, grim country with grey concrete buildings, and a dark, impenetrable bureaucracy.
This is a fun show, and a decent drama – worth seeing. [SPOILERS FROM HERE].
It felt plausible that Stalin would have abused his power, devastating the lives of people who trusted the justice of the party. I also liked the sense in the story of the protagonists encountering forces beyond their control, as they realise that Kelso is being used as a pawn by schemers with larger plans.
It felt a little frustrating though, in that at the end, all the grand story lines collapse back into a single (vital) McGuffin – a single item that will change world history. It’s not easy to show systematic issues in fiction, but this show doesn’t even try. Still – worth watching, for a drama.